The warming up and tuning of the bass guitar starts the song, before the colossal combination of Mike’s bass guitar and Ben’s drums burst into the song like a bulldozer out for full destruction. One final B-Side for the road, and on the flip side to the brutal whirs of ‘Ten Tonne Skeleton’, ‘One Trick Pony’ is anything but a one trick kind of tune. A B-Side not to be skipped in the slightest. ‘Hole’, however, turbo blasts the early bluesy rock sound the band went for, with huge volumes and sublime vocals making massive waves throughout the ear deafening track. Perhaps the best B-Side in Royal Blood’s string of the single offcuts, ‘Hole’ features on the flip-side to 2014’s ‘Little Monster’, a gargantuan-sized song that broke the band out across Europe and the rest of the world. Up against Royal Blood’s biggest hit, ‘Love and Leave It Alone’ holds its own as a song that should have made it onto the self-titled album. “So love and leave it alone/You know why and I knew the second when/I've heard you're quite like a stone/I've grown tired and I'm losing you again” croons Kerr in the killer chorus, his vocals swaying in and out of attitude and smoothness throughout the song. Serving as the B-Side to the bands smash hit ‘Figure It Out’, ‘Love and Leave It Alone’ is a supercharged slice of hard rock.

Mike Kerr’s recognisable heavy sounding bass riffs and Ben Thatcher’s booming drum beats make for a massively memorable jam, with an equal mass appeal to rival that of its A-Side counterpart ‘Out Of The Black’. Royal Blood announce album three with title track 'Typhoons'Īcting as a B-Side to their single ’Come On Over’, ‘You Want Me’ puts a funky punk spin on noisy garage rock from the early days of Royal Blood.

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